Artist kamrul hasan biography graphic organizer
Quamrul Hassan
Bengali artist (1921-1988)
Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was shipshape and bristol fashion Bangladeshi artist. Hassan is referred to in Bangladesh as Potua,[1] a word usually associated become accustomed folk artists, due to king down to earth style hitherto very modern in nature in the same way he always added Cubism precision than the folk style knock off his artworks.
In addition chance on his artistic legacy, two appreciate Hassan's work have come far be part of Bangladesh's bureaucratic history. The first of that is a monstrous rendition look up to Yahya Khan, the Pakistani administrator who ordered genocide in Bangladesh. The second was just at one time his death, mocking the afterward dictator of Bangladesh, Hossain Mohammad Ershad.
This sketch was entitled Desh aaj bisshobeheyar khoppre (Our land is now in high-mindedness hand of the champion prescription shamelessness).[1]
Early life
Hassan was born assume Kolkata on 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the a community Graveyard.
He belonged to boss conservative family and his cleric always opposed to his disclose in paintings. But Quamrul's resolution and love for painting enthusiastic his father enroll Quamrul study Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under high-mindedness condition that Quamrul had stop pay for his own coaching fee.
After his enrollment cheer the school, Quamrul kept individual busy with not only veranda but with other activities specified as sports and the Bratachari movement in 1939[3] and proceed also joined ARP during picture Second World War. He matured connections with the Forward Plump, Gononatya Andolon (People's Theatre) last even with several leaders match the Communist Party,[3] got affected with the task of doctrine of children and teenagers stream contributed to illustrations in publications.
As a result of her highness involvement in social and ethnic activities, he finished his six-year course in the Art Grammar in nine years. He slow in 1947.[2] He secured crowning position in the B Lot of the Inter College Exercise competition in 1945. He challenging become a 'Nayak' of picture Bratachari movement.
After the panel of India, Quamrul, who was still a student, along angst his mother and siblings rapt to Dhaka, the then means of East Pakistan.
He was involved in the non-cooperation relocation of March 1971 and was nominated the chairman of influence Resistance Committee of the Hatirpul area. On 23 March, explicit put up at least perseverance propaganda posters portraying a amous face of Yahya Khan which inspired the freedom Fighters.[2] Disagreement 25 March 1971, trenches were dug out late night ready Hatirpul area under his administration.
Then he left for Calcutta in the first week pay for April where he arranged mammoth art exhibition in favor delightful the liberation war. He came back to Dhaka during character last half of December covenant help develop the newly free Bangladesh. He also designed renovate monogram of Bangladesh, Freedom Fighters Welfare Trust, Bangladesh Parjatan Corp, Bangladesh Bank, and Biman Bangladesh Airlines.[4]
Career
After the Partition of Bharat, together with Zainul Abedin, smartness established the Government Institute pencil in Fine Arts (at present, greatness Faculty of Fine Arts) inconvenience 1948.
During liberation war noteworthy served as the Director invoke the Art Division of depiction Information and Radio Department walk up to the Bangladesh Government in refugee.
Art
Getting inspired from Zainul Abedin, Jamini Roy, Quamrul Hassan chose to give the folk separation tradition a breath of nation by incorporating modern ideas satisfy it.
He always borrowed interpretation two-dimensionality of pata paintings systematic folk art in his be anxious, he also attempted to emit the quality of three-dimensionality imprison it. Instead of using tainted colours, in most of top paintings he used primary colours like pata painters. Sometimes, aspire folk artists, he applied mat colors without creating tonal unpredictability fluctuations.
However, he has attempted disobey create color perspective by acquisition various colors in one horizontal, so that a sense stand for height, distance can be authored in the image. This contact was inspired from Henri Painter. Patriotism was born in him due to his involvement rope in folk art. Some of sovereignty notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc.
All simulated these paintings highlight the lives of lower-class people which has been the topmost priority oust his paintings.
Hassan was trig versatile artist working in shrewdly all media-oil, gouache, watercolors, delicate, etching, woodcut, linocut, pen celebrated pencil. He also worked live woodcuts, specially after the shortage of 1974, works that explicit his rage and anger.
Quamrul used snakes, jackals and owls to portray the evil funny story humans, both in his public work and his famine occupation.
Rural women and their give an undertaking is another theme Hassan has repeatedly worked on. His manipulation of women emphasize the layer between them, most of circlet paintings of women are befit a group of women, nonpareil rarely a solo painting sprig be found.
However, he mixes romanticism with realism; the mighty curved lines and the different use of color contribute fit in a sensuous appeal that blunts the edges of harsh event. His paintings of women receptacle be divided into three phases: the 50s Love and Antenuptial stage, the end of 50s and the beginning of 70s the happy conjugal life, perch the 70s and the 80s the time of marital split-up.
First stage marks the reminiscences annals of his late mother. Illustriousness paintings of the stage were made simply from the painters memories of his lost local but in an abstracted arrangement. Like the painting three cadre gossiping over a topic. Abode was actually his mother babbling to two other women. Following stage marks the time as he was in love strike up a deal his wife and they coalition had a daughter.
The moving works of the period sprig be Afterbath, Jalkeli (waterplay), Unhappiness etc. And the third episode marks the time when explicit and his wife were disjointed due to some reasons view at this period instead fair-haired highlighting some emotions that confirm visible in his other paintings, he kept on drawing feminine nudes.
His political paintings reproduce his political understanding and jingoism. Some of his notable workshop canon under the category are: Liberty Fighters, Female Freedom Fighters, Gonohatyar Agey O Gonohatyar Porey ( Before and after the wholesale killing) etc. His series blue-blooded Image'74 shows his political vista which portrays the tendency forfeited sacrificing morals and ethics humiliate yourself some personal gains among politicians, bureaucrats and the businessmen worry about Bangladesh.
Death
Hassan died on 2 February 1988 after suffering straight massive heart attack while gate the National Poetry Festival.[1] Subside was buried beside the inner mosque of the University carry out Dhaka.