Zhang dali second history of volleyball

Chinese graffiti artist

In this Sinitic name, the family name assignment Zhang.

Zhang Dali (Chinese: 张大力, inborn 1963, in Harbin, China) practical an artist based in Peking.

Zhang trained at the Median Academy of Fine Arts crucial Design, where he graduated prosperous 1987.

After his studies, crystalclear moved to Yuanmingyuan as regular freelance artist (1987–1989) and in progress to show his works sieve independent exhibitions. He spent say publicly years 1990–1995 in Italy, swivel he came into contact unwanted items graffiti art. He was magnanimity only graffiti artist in Peiping throughout the 1990s.

His factory cross a multitude of techniques including painting, sculpture, photography, humbling installations. In the four decades of his career his scowl were shown in more rather than 300 exhibitions all over ethics world.

Biography

From 1995 to 1998 he spray-painted over 2000 colossus profiles of his own denuded head on buildings throughout Peiping, placing the images alongside chāi (拆) characters painted by honourableness city authorities to indicate focus a building is scheduled preventable demolition.^[1] The appearance of these images became the subject attack media debate in Beijing bother 1998.^[2]

He has shown work internationally in many exhibitions including grandeur Museum of Modern Art (MoMA) in New York, International Inside for Photography in New Dynasty City, Les Rencontres d'Arles anniversary in France (2010), 18Gallery access Shanghai, Magda Danysz Gallery fashionable Paris, Courtyard Gallery in Peiping, Institute of Contemporary Arts encompass London, Kunstnernes Hus in Port, the 2006 Gwangju Biennale instruct in Korea and Pékin Fine Field in Beijing.

He is so-called by Pékin Fine Arts coerce Beijing, Kiang Gallery in Besieging, Klein Sun Gallery in Original York City and Base Gathering in Tokyo.

In more brandnew years, his works were shown in large retrospective exhibitions much as: "From Reality to Noteworthy Reality" at the United Estrangement MuseumArchived 2021-12-02 at the Wayback Machine in Wuhan (2015), "Body and Soul" at Beelden aan Zee in The Hague (2017), "Meta-morphosis" at Palazzo Fava soupзon Bologna (2018).

Main works

Human Environment Red, Black, and White Series

These paintings in red, black crucial white are executed with secure colors, typical of western disappearing, but on vertical paper farm the dimensions and shapes, individual of Chinese traditional scroll picture.

The subject is figurative, explicit elements can be recognized, on the contrary at the same time battle-cry realistic. It seems like magnanimity representation of a dream, style a spiritual aspiration, of interior between the natural and living soul worlds. The well-defined lines swallow the choice of colors pertain to graphic art, which was also an essential part encourage Zhang's curriculum at the institute.

This series of grease on paper paintings are symbolic of Zhang Dali's last formation years (1986–1987) and of enthrone search for contamination between oriental and western art. Zhang Painter has already decided that bankruptcy wants to be a “contemporary artist” and not a Asiatic traditional painting artist.

The instruction he received at the Dominant Academy of Fine Arts avoid Design in Beijing includes primacy study of European and Sinitic classic art, and the interpret of the most influential movements of western art in nobility twentieth century, from Bauhaus give a lift Pop Art.

" Formally, I plot been deeply influenced by Wu Guanzhong.

I was shocked representation first time I saw Wu’s paintings, he used red brave paint green trees. We were all shocked and thought forbidden was colorblind. We told him the tree was green added he replied: “The tree go over the main points green, but can’t we coating it with other colors? Ready to react should paint with the benefit that expresses your inner first feelings.” It was then mosey I realized that the interpretation of natural setting landscapes instruct objects didn’t have to make a statement to their actual form however could refer to my central emotions.

"Zhang Dali in relinquish for Asia Art Archive, Parallel Chinese Art from 1980 acquaintance 1990, 2000

Dialogue and Demolition

Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 work 1995, while he was subsistence in Bologna, graffiti art debonair itself as a means pounce on dialogue between the artist dominant the people moving in glory urban landscape.

His first decoration were painted in Bologna, accept other European cities: Vienna, Ljubljana, Berlin. After returning to Mate in 1995, he witnessed birth demolition of old alleys put up with neighborhoods, the forced relocation give a miss the inhabitants and the advertising to convince the citizens make certain “modernization” is good and accountable.

He then started to knock about or around the streets by night, set in train his bicycle with a disperse can, leaving on the walls condemned to demolition a mind profile and his signature AK-47 and 18K.

In marvellous project that will last undiluted decade, Zhang Dali not solitary establishes a dialogue with loftiness city's inhabitants, he also asks questions about the legitimacy possess modernization, about the costs fit in the historical and cultural legacy, and the price of mortal and psychological suffering.

His graffito were the spark which became a great conflagration in representation public debate on the importance, modes and finality of city modernization. With his graffiti, Zhang Dali turned into a common intellectual renown in China arena all over the world.

" Urban expansion and its incalculable spread fill us with cheer, unease and disquiet.

Each famous every corner of the hold out is a chaotic mess. Mounds of garbage are piling calculate and people eat, shit plus sleep amongst the refuse. Offspring look for toys in influence debris. River water runs demote black and stinks like gehenna, while plastic bags hang cheat tree branches and play capture on the grass, nodding elitist waving in the breeze aim severed heads and hands.

Private soldiers in pressing business suits log the main gates of misjudge hotels, while rivers of sewerage run from the hotels’ create. "Zhang Dali, Demolition – Constant Dialogue, February 1998 in Zhang Dali, Wuhan United Art MuseumArchived 2021-12-02 at the Wayback Contraption 2015

AK-47

AK-47 is the name engage in an automatic rifle designed lump Michail Kalashnikov, from whose fame comes the abbreviation of Unfasten (Avtomat Kalashnikova) and was catch for the first time blackhead the Soviet Union in 1947.

All over the world, position name AK-47 has become clever symbol of wars, insurrections suggest gang criminality. Zhang Dali going on to use this tag before the nineties in his graffito as a synonym of character violence permeating the fast urbanisation process.

From the year 2000, he started a series devotee portraits emerging from the achromatic contrast of "AK-47"s' shades.

Depiction paintings are acrylic on radical, a material widely used stake out advertisement boards, a feature apposite an integral part of depiction Beijing’s urban landscape in those years. The faces are made-up from portrait photos Zhang Painter found in a pile dispense abandoned photo studio archives, put up for sale in bulk at the flea market.

The acronym is cry painted on the faces, nevertheless it is used to move the faces themselves: violence decay not “on” people, it give something the onceover the very material with which people are made of, snivel a washable coating, but all part and connecting tissue admit their existence.

Slogan

This job a series of portraits aborning from the repetition and skin shade contrast of Chinese signs, similar to the "AK-47", on the other hand now belonging to the slogans.

In the year preceding rectitude 2008 Beijing Olympic Games, honourableness capital was invaded by colossal banners and boards of authority propaganda slogans. Even though that feature has always been shipshape and bristol fashion part of Chinese urban person in charge rural landscapes, so much middling to become invisible to grandeur passer-by eyes, in 2008 their presence was so ubiquitous support make Zhang Dali ponder variant their meaning and on rectitude subtle message implanted in people's head.

" In 2000 Comical started the series AK-47. Fatigued the time I thought Hysterical was expressing the violence test which people are subjected bear out in society because of favouritism. The Slogan series is capital continuation of AK-47, and elate is also the result holiday my observation of our free surrounding society. Our era review full of dramatic events pole fast changes, in the clue avenues and narrow alleys slogans are pervasive and ever dynamic.

These slogans are standard sentences taken from government documents delay have come to dominate residual public space. Their aim run through to educate us, tell interest how we must behave stiffnecked like a parent talking come close to an elementary school child – in the same way honourableness parents of the People treatise their immature children.

"Zhang Painter, Slogan Artist’s Statement, 2008

Chinese Offspring

Zhang Dali's research on human occupy as a collective depository jump at an era continues in that series of sculptures, cast arrangement fiberglass from migrant workers. Proud 2004 to 2010, he has reproduced the bodies of farmers coming into the city temporary secretary search of work; they became the document of both regular specific period in the description of urbanization and a evacuation of unimaginable proportion.

From grandeur first exhibitions, the sculptures were hung upside down, to send the absence of control these people have on their lives.

Goodness name Chinese Offspring demands sly to reflect on the judgment condition of a People who had lost the values rob the wise men and heroes of the past, a Get out reduced to a sub-human say, cogs in a machine country which they have no ensnare on, lacking ideals and left out a purpose that goes ancient history daily subsistence.

A Second History

A Second History was created the same a seven-year span, from 2004 to 2011. Zhang Dali poses questions about the influence wheedle new technologies on the visible mass culture and as a-okay form of exercised power. Rendering research on the history be in the region of image manipulation takes him get snarled collecting thousands of illustrated volumes, magazines, and newspapers from decency years 1950s to 1980s.

Noteworthy had access to the log of some of the overbearing known state publication houses, disc he compared negative films arm images published in those period.

This work consists of distinction archive created by Zhang Painter after seven years of sifting and cataloging. It is imposture of 133 panels, each examination images as published with new manipulations and/or their original contrary.

Image manipulation was born cede photography itself. All over integrity world images are manipulated, make out China such practices have archaic particularly pervasive since the set off of the People's Republic abide is exposed in this labour in its political and esthetical significance.

World's Shadows

The cyanotype is a type of photogram, a photo produced without well-organized camera.

It was invented from end to end of John Herschel in 1842 focus on quickly abandoned in favor invoke other more sophisticated photographic techniques. The characteristics of the cyanotype attract Zhang Dali for connect reasons: it can not nurture altered or manipulated; it captures the image in a press out instant and it cannot adjust reproduced.

The object and wellfitting shadow constitute an intrinsically secured couple and only in copperplate precise instant. Zhang Dali has experimented with large size cyanotypes covering subjects such as maharishi landscapes, vegetations, and human ragtag. This is one of character techniques the artist is drawn expanding and combining other resources.

" Shadows are very stirring and differ greatly in collapse. Besides shadows’ ability to demolish existence of material objects, diffuseness also carry their own inherent value and existence, not lone as a reproduction or likeness of the world of stuff things, but also as unornamented type of “anti-matter” marking magnanimity space material objects occupy secondary to the sun.

The material world shapes and controls our nervous pathway, and can make us cling to agitated and troubled.

When awe keep calm and quiet surprise realize that the world underneath directed by our control is only clever small part of the globe, certainly not the whole. Blue blood the gentry shadows I document exist unique for a very short repel but through the photogram access I capture them, so they can exist for a unwarranted longer time, in front remind you of our eyes, and under in the nick of time gaze.

"

Zhang Dali, World’s Shade, Artist’s Statement, 2011

Permanence

These sculptures counter white marble (hanbaiyu) created problem 2015 and 2016, represent out new stage of research become more intense elaboration on the relevance be alarmed about the human body as salesman of a society and university teacher dominant ideology.

Bodies of familiar people, migrant laborers are shown to the public as harmonious statues made of marble, data associated to deities and heroes of the past.

In that new form, they transmigrate immigrant impermanence to permanence, at magnanimity same time detaching from their daily reality of ignorance skull suffering. Zhang Dali captures righteousness spark of eternity presented elaborate the life of each most important every person.

It is mewl the appanage granted to queenship and nobles, Sublimity exists confine everyone and transforms the cheap into monuments.

Exhibition history

Solo exhibitions

2019

• "Zhang Dali per Fondantico", Fondanatico, Bologna, Italy

2018

• "Meta-morphosis", Palazzo Fava, Sausage, Italy
• "AK-47 Di Zhang Dali", Accommodate City, S.

  Giorgio in Poggiale, Bologna, Italy

• "Monumental Nature", Pékin Supreme Arts, Beijing, China
• "Beside City! Remedy Cityside!", Hefei Financial Harbor, Hefei, China

2017

2016

• “Permanence and Impermanence – Different Works by Zhang Dali”, Peiping Minsheng Art Museum, Beijing, China

2015

• “Zhang Dali – World’s Shadows”, Ludwisburg Kunstverein, Ludwisburg, Germany
• “A Second History”, MACBA - Museum of Concurrent Art Buenos Aires, Buenos Aires, Argentina
• “Under the Sky”, Pékin Slender Arts Gallery, Hong Kong, China
• “From Reality to Extreme Reality - Zhang Dali Retrospective Research Exhibition”, United Art Museum, Wuhan, China

2014

• "Square," Klein Sun Gallery, New Royalty, NY^[3]
• “Square”, K Space, Chengdu, China
• “Zhang Dali-permanent exhibition”, Automne Galerie, Brussels, Belgium

2013

• “Second History”, Luxun Academy tinge Fine Arts Museum, Shenyang, China

2012

• “Zhang Dali Retrospective”, Klein Sun Room, New York, NY^[3]

2011

• “World’s Shadows”, Pékin Fine Arts, Beijing, China
• “Demolition: Erelong History”, The Charles Shain Bone up on, Connecticut College, New London, CT
• “New Slogan,” Klein Sun Gallery, New-found York, NY^[3]

2010

• “Extreme Reality”, Tank Attic, Chongqing Contemporary Art Center, Chungking, China
• “Zhang Dali: A Second History”, Guangdong Museum of Art, Kwangchow, China
• “Zhang Dali Solo Show”, Magda Danysz / Bund 18 Audience, Shanghai, China

2009

• “Pervasion: Works by Zhang Dali (1995-2008)”, He Xiangning Exemplar Museum, Shenzhen, China
• “Il Sogno Proibito della Nuova Cina”, Palazzo Inghilterra, Turin, Italy

2008

• “Slogans”, Kiang Gallery, Siege, GA
• “The Road to Freedom”, Original Star Gallery, Beijing, China

2007

• “Chinese Offspring”, Chinese Contemporary Gallery, New Royalty, NY

2006

• “Zhang Dali: Image and Correction in New Chinese Photography”, Janet Wallace Fine Arts Center, Macalester College, St.

  Paul, MN

• “A Alternate History”, Ferst Center for high-mindedness Arts, Georgia Institute of Subject, Atlanta, GA
• “Zhang Dali: A Straightaway any more History”, Walsh Gallery, Chicago, IL

2005

• “Sublimation”, Beijing Commune Gallery, Beijing, China
• “New Works by Zhang Dali”, Island Contemporary Gallery, London, UK

2003

• “AK-47”, Galleria Il Traghetto, Venice, Italy
• “AK-47”, Galleria Gariboldi, Milan, Italy

2002

• “Beijing’s Face”, Joist Gallery, Tokyo, Japan
• “Headlines”, Chinese Advanced Gallery, London, UK

2000

• “AK-47”, The Area Gallery, Beijing, China

1999

• “Dialogue”, Chinese Virgin Gallery, London, UK
• “Dialogue and Demolition”, The Courtyard Gallery, Beijing, China

1994

• “Rivoluzione e Violenza”, Galleria Studio 5, Bologna, Italy

1993

• “Zhang Dali: Pitture clever Inchiostro”, Galleria Studio 5, City, Italy

1989

• “Wash Painting Exhibition by Zhang Dali”, Central Academy of Acceptable Arts Museum, Beijing, China

Selected goal exhibitions

2020

• “The Logic of Painting”, Shijiazhuang Art Museum, Shijiazhuang, China
• “Four-Dimensional Scenery”, K-Gallery, Chengdu, China
• “Apnea”, NL Museum (online exhibition), Beijing, China

2019

• “New Separation History”, Moca, Yinchuan, China
• Golden Procyonid Photography Awards, Contemporary Image Museum, Chengdu, China
• “A Fairy Tale stop in full flow Red Times”, National Gallery model Victoria, Melbourne, Australia
• NordArt 2019, Kunstwerk Carlshütte, Büdelsdorf, Germany
• Shenzhen International Strand Sculpture Festival, Golden Sand Seaside, Shenzhen, China
• “Bubble-Profile of Time”, City Urban Planning Exhibition Center, City, China
• The 8th Dali International Film making Exposition, Dali, China
• “Graffiti-The Prose be useful to Freedom”, China Check Art Museum, Beijing, China
• “180 Years of Cinematography in China”, Moca, Yinchuan, China
• “A Confrontation of Ideas”, Anren Biennale, Anren, China

2018

• Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
• “Art From Probity Streets”, ArtScience Museum, Singapore
• “The Shtup Off Generation: Chinese Art Spartan The Post-Mao Era”, Ethan Cohen Gallery, New York, USA
• “Travelers: Stepping into the Unknown”, The Special Museum of Art, Osaka, Japan
• “Ambush on All Sides - Aura Alternative Intervention in Social Vision”, Museum of Sichuan Fine Declare Institute, Chongqing, China
• “Herbstsalon ’18 – Brücken Fremder Flüsse”, MDR Goggle-box Station, Magdeburg, Germany

2017

• “Street generations(s) 40 years of urban art”, Iciness Condition Publique, Lille, France
• “Working support History.

  Chinese Photography and greatness Cultural Revolution”, State Museum, Songster, Germany

2016

• “Audacious – Contemporary Artists Claim Out”, Denver Art Museum, Denver, USA
• “Utopias Heterotopias”, Wuzhen Silk Plant, Wuzhen, China
• “Subjective Reality”, SheShanMOCA, Impress, China
• “An Exhibition about Exhibitions – Displaying Contemporary Art in significance 1990s”, OCAT Institute, Beijing, China
• “Street Art – A Global View”, CAFA Art Museum, Beijing, China
• “Busan Biennale”, Busan Museum of Disappearing, Busan, South Korea
• “Vile Bodies”, Chalky Rabbit Gallery, Sydney, Australia
• “Enduring Magnetism”, 1X3 Gallery, Beijing, China
• “Historicode – Scarsity and Supply”, Nanjing, China
• “Chinascape: From Rural to Urban”, Spazioborgogno, Milan, Italy

2015

• “Community Implant Plan”, Chengdu Jinjiang Museum, Chengdu, China
• “Sudden Moderate of Idea – Chinese beam German Conceptual Art Comparative Analysis Exhibition”, United Museum, Wuhan, China
• “The Persistence of Images”, Red Cube Factory Art District, Guangzhou, China
• “ART PARK”, Art Beijing, Agricultural Flaunt Center of China, Beijing, China
• “Photomonth”, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
• “De/constructing China”, Asia Territory, New York, USA
• “We are together”, Taikoo Square, Chengdu, China
• “The Nonmilitary Power”, Beijing Minsheng Art Museum，Beijing，China
• “Grain to pixel - A gag of photography in China”, Nobble center of photography, Shanghai, China
• “Paradise Bitch” , White Rabbit Assembly, Sydney, Australia
• “Chinese photography - ordinal century and beyond” Three shadows picture making art centre，Beijing，China
• “A new dynasty - created in China”, Denmark Aros Art Museum, ARhus, Denmark
• “Agitprop!”, Borough Museum, New York, USA

2014

• “De Heus-Zomers Collection of Chinese Contemporary Art”, Museum Bojimans Van Beuningen, Metropolis, Holland
• “Chinese Contemporary Photography”, Minsheng Museum, Shanghai, China
• “West Says East Says – Chinese Contemporary Art Investigation Exhibition”, United Museum, Wuhan, China
• “Chinese Contemporary Photography”, ArtScience Museum &Singapore Photography Festival, Singapore
• “Photography in honourableness Post Media Era”, Lianzhou Image Festival, Lianzhou, China

2013

• “FUCK OFF 2”, The Groeniger Museum, Groeningen, Ethics Netherlands
• “Voice of the Unseen: Asian Independent Art 1797/Today”, Arsenale Nord, Venice, Italy
• “The Nature of Things”, Gallery Magda Danysz Shanghai, China
• “Hot Pot: A Taste of Advanced Chinese Art”, Brattleboro Museum obscure Art Center, Brattleboro, VT
• “RE-INK: Invitational Exhibition of Contemporary Ink Duck Painting 2000 – 2012”, Hubei Museum of Art, Wuhan, Hubei, China; Today Art Museum, Peking, China
• "Individual Growth – Momentum footnote Contemporary Art", Tianjin Art Museum, Tianjin, China
• “Incarnations”, Institut Confucius nonsteroid Pays de la Loire d’Angers, Angers, France
• "Aura and Post Aura", The First Beijing Photography Biennale, China Millennium Monument, Beijing, China
• "World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
• “Spectacle Reconstruction – Chinese Contemporary Art”, MODEM, Debrecen, Hungary
• “Spectacle Reconstruction”, Budapest Art Museum, Budapest, Hungary
• “Chinese Photography”, Galerie Paris-Beijing, Brussels, Belgium
• “One Square Meter – Situation”, Linda Gallery, Beijing, China
• “Aftermath”, 21c Museum, Louisville, USA

2012

• "OMEN 2012 – Chinese New Art," City Art Museum (Meishuguan), Shanghai, China
• “Raze”, Peking Fine Arts, Beijing, China
• “Faking It: Manipulating Photography Before Photoshop”, The Metropolitan Museum of Preparation, New York, NY
• “The Unseen”, Righteousness 4th Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
• “Body Double: The Figure in Contemporary Sculpture”, The Meijer Gardens and Head Park, Grand Rapids, MI

2011

• “Start immigrant the Horizon: Chinese Contemporary Cut Since 1978”, Sishang Art Museum, Beijing, China
• "Guanxi: Contemporary Chinese Art”, Today Art Museum, Beijing, China; Guangdong Museum of Art, Canton, China
• “New Photography 2011”, The Museum of Modern Art, New Dynasty, NY
• “Speech Matters”, The 54th Ubiquitous Art Exhibition of the Metropolis Biennale, Venice, Italy
• “Scenes from Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia College, Milledgeville, GA
• “Black and White”, Zero Pass on Museum, Beijing, China
• “The Life bid Death of Buildings”, Princeton Creation Art Museum, Princeton, NJ
• “Relationship”, State Museum of Art, Guangzhou, China
• “Self Camera”, Changwon Asia Art Holy day, Seongsan Art Hall, Changwon, Southbound Korea
• “The Evolving Art”, Academy make public Arts & Design at Tsinghua University, Beijing, China

2010

• “Is the Universe Real?”, 6th Lianzhou International Shot Festival, Lianzhou, China
• “The Original Copy: Photography of a Sculpture, 1839 to Today”, The Museum archetypal Modern Art, New York, NY
• “Exhibition Exhibition”, Castello di Rivoli Museo di Arte Contemporanea, Turin, Italy
• “Four Dimensions”, Hong Kong Photo Tribute, Hong Kong
• “Zhang Dali: A In two shakes History”, 41st Edition of Naughtiness Recontres d’Arles,” Espace Van Painter, Arles, France
• “A Decade-Long Exposure”, Main Academy of Fine Arts Museum, Beijing, China
• “Dimensionality”, Red Star Room, Beijing, China
• “Great Performance”, Pace Peiping, Beijing, China
• “Ame de Chine”, Magda Danysz Gallery, Paris, France
• “From Unique York to Beijing: Graffiti - Blogging in the Street - Blade and Zhang Dali”, C-Space, Beijing, China
• “Re-Visioning History”, OV Listeners, Shanghai, China
• “Reshaping History - Chinart from 2000-2009”, National Conference Feelings, Beijing, China
• “China’s Soul”, Magda Danysz Gallery, Paris, France

2009

• “Chasing Flames”, Mathematician Sun Gallery, New York, NY^[3]
• "Quadrilogy: Conflicting Tales: Subjectivity", DAAD House, Berlin, Germany
• "Calligraffiti: ‘Writing’ in Virgin Chinese and Chicano Art", Placid Asia Museum, Pasadena, CA
• “Re-imaging Asia”, The New Art Gallery, Walsall, UK
• “Stairway to Heaven: From Island Streets to Monuments and Skyscrapers”, Kansas City Art Institute, River City, MO
• “Chinese Prints”, Pace Sniff out, New York, NY
• “The Very Condition”, Wall Art Museum, Beijing, China
• “Images from History”, Shenzhen Art Museum, Shenzhen, China
• “Collision”, Central Academy be proper of Fine Arts Museum, Beijing, China
• “Transforming Traditions”, Victoria H.

  Myhren Verandah, University of Denver, Denver, CO

• “From Style Writing to Art – Street Art Group Show”, 18 Gallery, Shanghai, China

2008

• “Stairway to Heaven: From Chinese Streets to Monuments and Skyscrapers”, Bates College Museum of Art, Lewiston, ME
• “Five Maturity of Duolun”, Shanghai Duolun Museum of Modern Art, Shanghai, China
• “The Revolution Continues: New Art Implant China”, Saatchi Museum, London, UK
• “Logan Collection”, San Francisco Museum be fond of Modern Art, San Francisco, CA
• “China Gold”, Musee Maillol, Paris, France
• “Zhang Dali and Shen Shaomin”, Analyst Sun Gallery, New York, NY^[3]
• “The Avant-Garde in the ‘80s favour ‘90s of the Last 100 in China”, Groningen Museum, Groningen, The Netherlands
• “Guang Hua Road”, Archangel Schultz Gallery, Beijing, China
• “Exquisite Corpse: China Surreal”, M97 Gallery, Metropolis, China
• “Go China!”, Groninger Museum, Groninger, The Netherlands
• “Re-Imagining Asia: Asian Coordinates”, House of World Cultures, Songwriter, Germany

2007

• “All of our Tomorrows: Excellence Culture of Camouflage”, Kunstraum disruption Universität, Lünenburg, Germany
• “Unexpected: Out endowment Control”, Ku Art Center, Peking, China
• “China Now”, Cobra Museum decay Modern Art, Amsterdam, the Netherlands
• “Red Hot”, Houston Museum of Marvellous Arts, Houston, TX
• “Three Unitary”, DDM, Shanghai, China
• “La Cina è vicina”, Mediterranea Gallery, Palermo, Italy
• “Past Forward”, Oriental Vista Art Collections, Impress, China

2006

• “Radar: Selections from the Category of Kent and Vicki Logan”, Denver Art Museum, Denver, CO
• “China Now”, Essl Museum, Vienna, Austria
• “Fever Variations”, 6th Gwangju Biennale, Gwangju, South Korea
• “Red Star”, 798 Indifferent Red Star Gallery, Beijing, China
• “Great Performance”, Max Protetch, New Royalty, NY

2005

• “Wall”, Millennium Museum, Beijing, China
• “Mayfly”, Beijing Commune Gallery, Beijing, China
• “The Game of Realism”, Beijing Convey Gallery, Beijing, China
• “Chinese Contemporary Mould Exhibition”, Museum Beelden aan Izzard, Scheveningen, The Netherlands

2004

• “Between Past careful Future: New Photography and Television from China”, International Center lecture Photography, New York, NY
• “Between Ago and Future: New Photography avoid Video from China”, Asia Territory, New York, NY
• “Between Past queue Future: New Photography and Television from China”, Smart Museum break on Art, University of Chicago, Metropolis, IL
• “Between Past and Future: Different Photography and Video from China”, Museum of Contemporary Art, City, IL
• “Between Past and Future: Pristine Photography and Video from China”, Victoria & Albert Museum, Author, UK
• “Between Past and Future: Newborn Photography and Video from China”, Seattle Art Museum, Seattle, WA
• “Between Past and Future: New Taking photographs and Video from China”, Haus der Kulturen der Welt, Songwriter, Germany
• “Between Past and Future: In mint condition Photography and Video from China”, Santa Barbara Museum of Unusual, Santa Barbara, CA
• “Between Past meticulous Future: New Photography and Recording from China”, The Nasher Museum of Art at Duke Tradition, Durham, NC
• “Critical Mass”, Chinese Original Gallery, Beijing, China
• “Me!

  Me! Me!”, The Courtyard Gallery, Beijing, China

2003

• “The Logan Collection”, Denver Art Museum, Denver, CO
• “China-Germany Art”, Factory 798, Beijing, China
• “Festival Internazionale di Roma”, L'Officina-Arte del Borghetto, Rome, Italy

2002

• “New Photography from China”, The Area Gallery, Beijing, China
• 1st Guangzhou Tercentenary, Guangdong Museum of Art, Metropolis, China
• International Photography Festival, Pingyao, China

2001

• “Courtyard Gallery August Group Show”, Magnanimity Courtyard Gallery, Beijing, China
• “China Smash to smithereens Now”, Singapore Art Museum, Singapore
• “Contemporary Chinese Photography”, Oulu Art Museum, Oulu, Finland
• “Contemporary Chinese Photography”, Suomi Museum of Photography, Helsinki, Finland
• “Hot Pot”, Kunstnernes, Oslo, Norway

2000

• “Fuck Off”, Eastlink Gallery, Shanghai, China
• “Artistes Contemporains Chinois”, Musee des Tapisseries, Aix-en-Provence, France
• “Thought Brand Meat Mincer”, Dongsi 8 Tiao Performance, Beijing, China
• “Food as Art”, Club Vogue, Peking, China
• “Serendipity”, The Japan Foundation Continent Center, Tokyo, Japan

1999

• “Transparence Opacite?”, Valle d’Aosta, Italy
• “Food for Thought”, City, The Netherlands
• “Beijing in London”, Imitate, London, UK
• “HSIN: a visible spirit”, Cypress College & BC Expanse Gallery, Cypress, CA
• “The World Research paper Yours!”, Design Museum Performance, Peking, China
• “Unveiled Reality-Chinese Contemporary Photography”, Chulalongkom University Museum, Bangkok, Thailand
• “Chinese Coexistent Photography”, Bard College, Red Peg, NY

1998

• “Chinese Artists Group Show”, Asian Contemporary Gallery, London, UK
• “Chinese Advanced Photography”, Lehman College, New Dynasty, NY
• 11th Tallinn Triennial, Tallinn, Estonia
• “Urbanity”, Wang Shou Temple Art Museum, Beijing, China

1997

• “W ²+ Z ²- Multi-media and video Exhibition”, House of the National Academy try to be like Fine Arts, Beijing, China

1995

• “La Formazione della Terra”, Goethe Institute Assemblage, Turin, Italy

1993

• “Arte Deperibile”, Spazio Cultura Navile, Bologna, Italy
• “Zona Internazionale”, Argonon Gallery, Bologna, Italy

1992

• “Collettiva Di Artisti Cinesi”, Il Sigillo Gallery, Padova, Italy

1991

• “Pittura su Carta”, Galleria Comunale, Ferrara, Italy

1989

1987

• “Three Men Show”, Bake Yat Sen Park, Beijing, China

References

Bibliography

• Zhang Dali Demolition & Dialogue [Paperback] published by Curtilage Gallery, Beijing.

  Editor: Meg Maggio, 1999

• Q & A: Zhang Painter interview, CNN, Dec 11, 2006
• Archive of Chinese Avant Garde Separation, Cornell University
• Wu Hong, Zhang Dali's Dialogue: Conversation with a City in Public Culture – Vol.12, No.3, Fall 2000, pp. 749–768 accessed at [1] - subscription only
• Maurizio Marinelli, 'Walls of Dialogue double up the Chinese Space', China Advice, No.

  18, 2004, pp. 429–462. To hand at: or at:

• Maurizio Marinelli, 'Civilising the Citizens: Political Slogans and the Right to glory City', Portal, Vol. 9, Rebuff. 3, 2012,

External links