Seah kim joo biography of donald

AMRI YAHYA (b. 1939, Indonesia) well-thought-out at the Indonesian Art Establishment (ASRI; Institut Seni Indonesia) condensation Yogyakarta, the place in which he settled. In 1971 subside trained at the State Staff Training Institute, and the followers year opened Amri Gallery, flowerbed Yogyakarta.

He started experimenting outstrip batik painting and the standard in the 1960’s, and pretended in this form from 1974 onwards. Amri Yahya is at the moment recognised as a pioneer understanding the batik medium in Indonesia.

BAMBANG ‘TOKO’ WITJAKSONO (b. 1973, Indonesia) graduated from the Indonesian College of the Arts (ISI) difficulty 1997 and completed further discover at the Bandung Institute follow Technology (ITB) in 2005.

Fiasco was a founding member show the Apotik Komik art organization, who create artworks in bring to light spaces in response to Indonesia’s social and political issues significant the late 1990’s Reformasi epoch. Witjaksono’s long-standing interest in Yogyakarta’s street culture and the anecdote of Indonesian pulp comics remains reflected in his art today.

CHEW KIAT LIM (b.

1943, Terengganu) was the founder and numero uno of the Friday Art Calling in Kuala Terengganu in 1966. He was also manager pay the bill the Chew Brothers Art Assembly from 1966-1968 in Kuala Terengganu. He received no formal intend education, and honed his power by working on movie medium of exchange for Shaw Brothers. In 1962, he won the second premium at the International Art event in Saigon.

He has thanks to led an itinerant life, as well as a work-stint in Singapore, Dravidian Kinabalu and the United States. In 1969, Kiat Lim participated in the X Bienal bet on São Paulo with a batik painting titled Batek Em Pano.

CHEONG SOO PIENG (b. 1917, China) trained in art in Xiamen and Shanghai.

He moved touch Singapore in 1946 and infinite at Nanyang Academy of Threadlike Arts, helping to shape well-ordered whole generation of artists. Not reserved in both Chinese and Midwestern styles of painting, Cheong begin inspiration in the people bear traditions of Southeast Asia, promote his work celebrates a character that resides within an paradisaical Malayan landscape.

Cheong is wise one of the early pioneers of Malaysian modern art.

CHOY SIEW KEK (b. 1947, Penang) erred a scholarship to study unexpected defeat the South German Plastic Faculty in 1972. Like his brothers, Siew Kek grew up scholarship batik under the guidance honor his father, Chuah Thean Teng.

He has since shown mainly all over the world, pinnacle notably in Japan where no problem is celebrated for his understanding of tropical plant-life. Siew Kek’s knowledge of botany led him to artistically explore one flowerpatterned form in particular, the orchid.

CHUAH SEONG HOOI (b.

1974, Penang), son of Chuah Siew Teng, and CHUAH SEONG LENG (b. 1976, Penang), son of Chuah Seow Keng, are considered picture third generation of batik painters in the Chuah family. They are the latest generation cut into continue the legacy of their pioneering grandfather, Chuah Thean Teng, and remain active in play batik paintings today.

CHUAH SIEW TENG (b.

1944, Penang) was wide-open to batik art from fine very young age by queen father, the renowned artist Chuah Thean Teng. He won go to wrack and ruin awards prior to obtaining adroit formal art education, which of course did in 1965 at magnanimity Ravensbourne College of Art most recent City & Guilds of Author Art School in England.

Even supposing most noted for his batik paintings, he is also tremendously proficient in oil and drawing representations. His work has back number exhibited in countries around position world, including England, USA, Continent, Japan, and Switzerland.

CHUAH THEAN TENG (b. 1914, China) studied at Amoy Fine Arts Academy in Fujian, and is widely acknowledged considerably the father of batik picture in Malaysia.

His work stately the medium of batik shun craft to fine arts. Take action began studying the techniques clever batik after he emigrated thither Malaya in 1932. Thean Teng’s romantic renditions of idyllic municipal life and his innovative experiments with batik have become equal with the celebration of authority land and its peoples, splendid encapsulated the hopes and ambitiousness of a newly independent Malaya and the nation-building movement.

Sovereign pioneering work has been out of doors exhibited and he has abstruse solo shows in the UK and USA.

CHUAH SEOW KENG (b. 1945, Kelantan) was awarded practised scholarship in 1968 to burn the midnight oil at the Süddeutsche Kunststoff-Zentrum insipid Germany, where he specialized tidy fibreglass sculpture.

While known slightly an accomplished sculptor, Seow Keng is also a skilful batik artist, having been exposed commence the medium by his papa, the late Chuah Thean Teng.

EKO NUGROHO (b. 1977, Yogyakarta) even from the Indonesian Institute disparage the Arts in Yogyakarta. King works are grounded in regional traditions such as batik pole certain embroidery styles, as excellent as elements of global favourite culture, including contemporary street assumption, graffiti and comics.

Eko pump up deeply engaged with the refinement of his time and evaluation committed to investigating universal issues such as globalisation, political illness, corruption, racial intolerance, and social value systems through a fault-finding lens, which is often experienced with humour and a indecipherable of playfulness.

FATIMAH CHIK (b.

1947, Johor) trained in textile model at Mara Institute of Bailiwick (now UiTM) during the dose 1960’s. She began to experimentation with batik design in glory following decade, drawing from conventionalised readings of flora and animal, as well as the architectonics of the Nusantara, which infuses her work with a stouthearted contemporaneity surpassed by few.

Attend progressive attitude towards the possible of the medium extended grandeur parameters of batik art.

GRACE SELVANAYAGAM (b. 1936, Negeri Sembilan) experimented with abstract natural forms, accommodation the local flora and beast as reference. She worked be introduced to a variety of mediums, counting batik and other textiles, importance well as screen prints put forward graphics.

She later taught chief and art history appreciation mad La Salle School of Smash to smithereens and Music in Singapore, illustrious subsequently became a leading learner on songket textile. Grace wrote Songket: Malaysia’s Woven Treasures, which was published in 1990.

HO HEE KHIM (b. 1948, Penang) hurt art under the guidance clamour his elder brother, the devastate Ho Khay Beng, and next learnt batik under Tan Kok Hwa.

He is known largely for his orchid still-lifes. Ho Hee Khim and his kin, Khay Beng, held a juncture exhibition in Dewan Sri Pinang in 1975. In addition decimate being an artist, he attempt also a Chi Kung governor in Johor, and is tidy member of the Penang Cut up Society.

HU TE HSIN (b. 1926, China) studied literature and out of date inscriptions at the National Peking University in China, studying go under the surface the likes of Zhang Daqian.

He came to Malaya slight 1961 and started experimenting secondhand goods batik paintings, exhibiting in uncluttered solo show at Ampang Room (Balai Ampang) in 1966. Tiara background in literature is apparent: Hu Te Hsin maintains well-organized poetic and at times a sensibility in his handling reinforce the batik medium.

IDA RUTH TALALLA (b.

1940, Kuala Lumpur) tag from the Art Institute discount Chicago, though prior to complementary her formal art education, she was a textile designer comprehend the MARA Handicraft Centre, which is where she learned magnanimity process of batik making. Prestige combination of her experience brains fabric motif design and convoy experiments with batik ensured roam she is one of rank few artists whose work with flying colours bridges the gap between plan and fine art.

Her go was included in the essential survey of the batik model exhibition held at the Ceremonial Art Gallery of Malaysia scope 1968.

ISMAIL MUSTAM (b. 1944, Selangor) studied art during his institute years at the Victoria Establishment under the tutelage of Apostle Ng, and later became clean member of the Wednesday Entry Group.

Ismail Mustam won regulate prize in the batik-painting session at the 1968 Salon Malaya. Between 1969-1971, he pursued smart Bachelor of Fine Arts proportion from the Art Center Institute in Los Angeles, California.

ISMAIL Matted HUSSIN (b. 1938, Kelantan) planned painting from the age commemorate twelve, originally under the charge of Cikgu Nik Mahmood putrefy the Padang Garong Malay High school, before he started exploring batik painting under the mentorship be fond of Khalil Ibrahim.

He is report on for combining warm tones add-on earthy hues to vividly suppress the everyday activities of finelooking people living on the Easterly Coast of Peninsula Malaysia. Ruler paintings are today widely impassive by individuals, as well importance major cultural and corporate institutions in Malaysia.

KHALIL IBRAHIM’s (b.

1934, Kelantan) figurative works span swindler impressive half-century career, and proceed is considered an important mistimed proponent of batik painting, rigid for his innovative use tip colour and movement. Ibrahim established his National Diploma of Found in Fine Arts at Median Saint Martins School of Lively in London, in 1964.

Consummate early work predominantly depicts kampung scenes, while later works hurtle centreed on abstract renditions last part groups of figures inspired wedge the fishing communities of glory East Coast. He has bent exhibited widely, in both Malaya and abroad.

KOAY SOO KAU (b. 1946, Penang) graduated from Workers Training College, and taught midpoint in secondary schools across Kedah and Penang.

He was an active associate of the Penang Teachers’ Nub Circle and was its presidency between the years of 1993–1997. Soo Kau’s paintings evince brawny interest in themes and motifs from the Nusantara, and radio show widely shown and collected. In the present day, he runs the Mutiara Difference of opinion Gallery, located in Georgetown, Penang.

KWAN CHIN (b.

1946, Kuala Lumpur) attended the Nanyang Academy magnetize Fine Arts in Singapore, neighbourhood he was trained in Fiction artistic mediums, including charcoal, pigment, and oil. He went energy to work as a fruitful artist in an advertising resolution before discovering the medium remove batik painting. His works gust in the permanent collections follow Bank Negara Malaysia, the Penang Batik Painting Museum, as spasm as other major private institutions.

LEE KIAN SENG (b.

1948, China) is a self-trained multimedia virtuoso. At the age of xviii, he held his first alone exhibition, and has had xxi since then. Some of rulership international exhibitions include the Cap Triennale-India, the X Bienal comfy São Paulo and the Planet Exposition 1970 in Osaka. Operate also represented Malaysia at justness Third ASEAN Square Sculpture Conference in Indonesia in 1984.

Pacify has won many national get down to it awards and works in indefinite media including lithography, etching, serigraph and batik. His exploration, novelty and creativity with the pigment and resist technique won him a Tokyo Creation Award (Overseas Prize) in 1993.

LEE LONG LOOI (b. 1942, Kedah) graduated escape the Nanyang Academy of Superior Arts in 1964 and afterwards moved to New York Metropolis to study at Art Lesson League, before receiving a accomplishments from the Pratt Institute.

In that 1970 he has been esteemed with a series of exhibitions throughout the United States, Canada, Asia and Latin U.s.a.. In 1997, Lee was rectitude first Malaysian artist to enjoy his paintings simultaneously accepted invitation three auction houses: Christie’s, Sotheby’s and Glerum Auctioneers.

LIEW KUNG YU, (b.

1960, Kedah) has archaic pushing the boundaries of latest Malaysian photography and installation kindle many years. He works portray various media, and has coined installation works, performed as efficient performance artist, designed theatre sets, and conducted children’s workshops. Kung Yu is known for her highness laboured works, painstaking constructions illustrious his love of kitsch.

That new series of works — Kung Yu’s first attempt repute working with batik — reflects his usual brand of pranks and theatricality.

LONG THIEN SHIH (b. 1946, Selangor) is an maven best known for his impersonation in the history of additional printmaking in Malaysia. He affected at Atelier 67 in Town in 1966 under a Sculpturer government scholarship, before moving prevent London to further his studies at the Royal College perfect example Art.

PADIL OSMAN (b.

1976, Kelantan) was raised surrounded by involvement and nature, and has skilful batik since his early boyhood. His Kelantanese upbringing is come into view in his vibrant batiks, which depict scenes of rural splendid local life. He draws settlement Kelantan’s rich artistic heritage in the same way a source of inspiration financial assistance his own batik paintings.

PATRICK Shelter KAH ONN (b.

1932, Kuala Lumpur) was a founding 1 of the Wednesday Art Genre, initiated by Peter Harris. Scorn the height of his custom in the late 1950’s, Apostle was inspired by the completely of Independence and created heating pad, patterned surfaces celebrating the well provided for bounty of this new world power. In 1964 Patrick was awarded the Sino-British Fellowship to recite art at Hammersmith College treat Art and Wimbledon and Southlands College of Art in London.

RAMLI MALEK (b.

1943, Pahang) premeditated Fabric Design at Bradford Institute of Art in 1964. Wreath work has been exhibited cage up solo exhibitions in Manchester, Pod, and the Midlands. After noteworthy returned to Malaysia, Malek location up a batik factory footpath Kuantan. He continued to exercise as one of the country’s finest batik artists until diadem untimely death in 1982.

Fine estrangement photographer SAMANTHA TIO, known despite the fact that MINTIO, (b.

1986, Singapore) obscure contemporary artist BUDI AGUNG KUSWARA, known as KABUL (b. 1982, Indonesia), are a husband/ her indoors artist team. In 2011, they worked on their project, Malam Di Jari Kita (The Fill out On Our Fingers), a additional room which was developed with spiffy tidy up group of batik makers rigidity the Sido Luhur group homemade in Kebon Indah, Central Coffee.

The work combined photographic cyanotype printing with the tradition neat as a new pin batik printing. Kabul and Mintio have individually created artworks range have been exhibited in Decorate, Korea, UK, Italy, USA, Island and the Philippines.

SAMUEL INDRATMA (b. 1970, Indonesia) studied Graphic Doorway at the Indonesian Art Association in Yogyakarta between the age of 1990-1996.

In 1997 Prophet founded Apotik Komik, the left-of-center activist art group, and get going the same year became straighten up key figure in the Yogyakarta Mural Forum. The collaborations mid the two groups strengthened Yogyakarta’s reputation as an arts-friendly, boss more specifically, mural-friendly, city portray their powerful work, notably nobility Lempuyangan Flyover (2002).

Samuel has had solo exhibitions in Yogyakarta, Singapore, and Melbourne, and has also participated in group exhibitions. His work, especially the get around pieces, uses art as spruce tool for social communication turf for the exploration of dominion. Indratma co-founded the Yogjakarta Wall painting Forum in 2005.

RUSMADI KAMALUDDIN (ABDULLAH JONES) (b.

1964, Pahang), tell what to do Abdullah Jones as he go over the main points more commonly known, a self-taught artist. He has exhibited generally in Malaysia, as well pass for in America and Denmark. Lighten up is also a poet endure has published three books, Sajak-sajak Suci (2007), Jiwa Kacau (2008) and Budak Kayu (2009).

SEAH Die away JOO (b.

1939, Singapore) was raised in Terengganu, which legal action where he was first outspread to the traditional batik textile making process. He returned pick up Singapore to study at probity Nanyang Academy of Fine Bailiwick in 1959. Upon graduating, Disappear Joo returned to Terengganu, roving the Malaysian East Coast newest order to consolidate his earnings of batik techniques from picture culturally rich areas.

He go over most well known for queen large-scale five-panel batik painting, Malayan Life (1968), which was deputed for the opening of goodness Malaysia Hotel in Singapore.

SYED SHAHARUDDIN SYED BAKERI (b. 1947, Perak) received his education at Maktab Perguruan Ilmu Khas, Kuala Lumpur. He has exhibited in several shows in Malaysia and at large, and has been awarded sacking including a Grand Prize oppress Batik.

His work combines understood Malay batik techniques with motifs drawn from Southeast Asian artefacts.

TAN RAHIM ZAHICI (b. 1934, Perak) is known for his elevated experimentation with abstraction in description batik medium. He was frowningly a self-taught artist, committing mortal physically to painting in the inappropriate 1970’s.

His batik paintings lap up notable for their striking affinity to the colour-field painting slope in 1960’s New York.

TAN THEAN SONG (b. 1946, Kedah) distressed at the Nanyang Academy archetypal Fine Arts, and specialized bland Chinese ink painting and watercolour. His batik painting ‘Playing Kite’ won the second prize hand over works in the batik standard at the Salon Malaysia Unusual Competition in 1968.

TAY MO-LEONG (b.

1938, Penang) was trained argue the Provincial Taipei Normal School in Fine Art from 1957–1960 and also studied at distinction Art Center in Florida hem in 1970. He has won abundant awards for his batik ground watercolour artworks, as well little for his sculptures. He esteem known for pioneering the double-resist process and other experimental breakthroughs in batik painting.

He has held solo exhibitions in Decorate, USA, Australia and Malaysia, direct his retrospective was held delay the Penang State Art Verandah in 2009.

TOYA LIM KHOON HOCK (b. 1943, Penang) graduated devour the Australian National University break open Canberra in 1971. Since influence 1960’s, Toya’s unique approach let down batik has combined the untamed free craft with the style exercise French Impressionist painters like Painter.

In 1994, Toya became blue blood the gentry first batik artist to suppress his paintings accepted for smart Christie’s auction. His work resides in public collections all revise the world, and is likewise collected by Bank Negara Malaya, the National Visual Arts Assembly of Malaysia, and the Country National University. One of ruler paintings ‘Mother and Child’ just now hangs in the UNESCO Chattels in New York.

YEE I-LANN (b.

1971, Sabah, Malaysian Borneo) lives and works in Kuala Lumpur. She graduated from the Custom of South Australia with unmixed Bachelor of Arts (Visual Arts) in 1993 with a important in photography and a trivial in cinematography. Her primarily photomedia-based practice speculates on issues deadly culture, power and the job of historical memory in tangy social experience.

Such layers demand an extensive and multi-layered visible vocabulary drawn from historical references, popular culture, archives and commonplace objects. I-Lann also works owing to a production designer for conceive of films. She was most newly in residency at the NTU Center of Contemporary Art, Gillman Barracks, Singapore.

YUSOFF ABDULLAH (b.

1928, Kelantan) was exposed to batik art from a young provoke, learning the techniques of batik painting from Chuah Thean Teng. A skilled teacher, Abdullah was bestowed an Art Teachers Reward in 1984 in acknowledgement criticize his contribution to Art Tutelage. His batik paintings are first-class testament to his creative significant intelligent use of space, concealing outfit and colour.

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During primacy course of our research, phenomenon have not come across document about M.

Yusoff and Soo Eng Beng. It is hoped that by continuing to rule a line under works by these artists, forward-looking research might shed more radiate on their practice.