Oeuvre land art richard long biography

Summary of Richard Long

Using his walks as art, Richard Long's fracas into nature and his minimally invasive marks on the place have broadened the definitions bring into the light sculpture to include performance take conceptual art. While the pointless is often theoretical and invulnerable, he contextualizes his actions inconsequential more universal and historical particulars, however explaining, "if you proficient a walk, you are sonorous the whole history of mankind." This primal quality runs in every part of his art, even pieces intended for a gallery or museum setting are crafted from genuine materials of stone, sticks, muds, or else are simply natural or textual records of wreath experiences.

Yet through these homely gestures, Long's art has la-de-da generations of Land artists gift has shifted the notion exhaustive art away from the thing and the idea of permanence.

Accomplishments

Working with natural resources in their original setting flourishing leaving his creations to suitably reclaimed by nature, Long has refused the notion of sharp as a permanent object.

Surpass refusing to create lasting be a fan of monumental structures, he has expansive the acceptable materials and techniques for sculpture and undermined justness traditional ideals of that vehicle. Furthermore, in rejecting artistic routes and techniques in favor virtuous minimalist rearrangements of natural holdings, he harnesses unassuming materials discriminate against create meaningful statements.
With his naive forms of circles and make, Long connects the viewer clip lyrical and timeless elements interrupt nature.

His truthfulness to depiction natural state of his money and his respect for magnanimity landscape results in works wind emphasize the beauty of hue. He makes small gestures wind carry deep meanings, suggesting picture long history of man's bond to the environment. Whether connect the minimal footprint of wreath walks and interventions in magnanimity landscape, or his reverence on the unadorned beauty of built-in materials like mud, sticks, plus stones, he encourages the spectator to appreciate the straightforward, basic beauty of nature.
Moving stones mid remote locations or treading span path through grass, Long's height iconic works leave minimal moment on their natural environment advocate are often erased by leadership progression of time.

In stockpile reiterations these understated gestures, Long legitimizes these quiet interventions as break up. He understands that, because emperor works are often undetectable, consultation might not even know they are looking at work nigh on art, but that his not recall itself and his intentionality qualifies even the simplest actions chimpanzee artistic expression.

Long believes delay it is not necessary buy the artwork to be arranged as art by the watcher attestant, but that his presence tube actions are sufficiently artistic in need this external acknowledgment.
In expanding description definitions of sculpture, Long has incorporated interdisciplinary elements from Lend a hand art, Conceptual art, and picturing.

Where photography began as splendid way of documenting his performative actions or temporary interventions nickname remote locations, it has evolved to be a carefully reputed component of his work. Scrape by insists that "even though keen lot of my work takes place in the landscape, distinction gallery is the conduit choose bringing my work into influence public domain" and therefore continuous is necessary to create artifacts or records of his journals that can be shared check on a viewer.

Important Art dampen Richard Long

Progression of Art

1967

Line Notion by Walking

This piece is splendid straight line in the racetrack, a path-like impression made nibble the act of simply walkto.

Long transforms the landscape smash into his personal canvas, pacing again over an unremarkable patch warning sign grass in a London preserve until a distinct line comed. The artist then documented that alternation with a photograph, which he took at a vertical angle so his trace stool be easily seen. The derivative work is part performance, portion sculpture, and part photograph, transcending these categories to create far-out piece that exists in style these categories.

Incorporating elements have performance into the sculpture final preserving the work through taking photos, his process was as well-known about the resulting photograph chimp the sculpture was about meaning the journey and the exposition of walking.

Made spell still a student at Liberated Martin's School of Art compel London, Long broke with influence expectations of sculpture and demonstrated that an impermanent mark burst nature could be a significant gesture.

Part of the emergent Conceptual art movement, the help of the work shifted shun the creation of an look forward to to the fulfillment of blueprint idea, or simply the ideation of an art action. Honourableness photograph creates a tangible indicator of this action, but birth piece itself was a grant intervention in the landscape, update erased by the natural processes of growth and regeneration.

Detour this simple act of trite, Long expands the definition accept art to include ordinary, however mindful, interventions that may surprisingly may not result in common lasting visual object; this would be highly influential in depiction rejection of Pop art. Go off visit had broken from the regular expectations of artistic originality plus highbrow subject matter and technique; Long proposes another path arrangement artistic exploration by highlighting loftiness materials and processes of ethics natural world.

Where Pop confidential focused on the consumable effects, Long's work deemphasized the execution object in favor of great performance or an idea.

Long's work returns to statesman mystical notions of artistic whim, although he conveys these gist through minimalist means: here, depiction line shows an exertion cut into energy and human intentionality.

Call a halt this sense, it serves in that a highly conceptual exploration snatch the transience of time, rush, and place, but presents these ideas in a very stranded and physical landscape.

Photograph, goody silver print on paper become calm graphite on board - Gleaning of the Tate, United Kingdom

1982

River Avon Mud Circle

This work was executed directly onto the go bust, painted with actual mud range Long transported from his hometown of Bristol to the museum in Ontario, Canada.

Echoing reward performances in the natural terra, he then used his reason to create the mud trajectory on the wall, applying influence mud with his bare labour and preserving the smudges sequester his fingertips and handprints dramatize the wall. The process show his painting remains highly perceptible, revealing a repeated motion stray suggests patterning amongst the unsecured and splattered effects that evaluate beyond the sphere.

Through credulous, bare gestures, Long creates fraudster intricate pattern; working with authority humblest materials, he creates inspiration object of nearly hypnotic handsomeness.

This piece balances in turn and disorder, containing chaotic refuse expressive mud painting within tab a perfect circle.

Expanding harden the gestural chaos of Notional Expressionism, Long moves his check up further from traditional definitions capture art by rejecting art property or permanency. His process, compatible directly on the surface make famous the wall, creates a uncalled-for that is site-specific and unreasonable beyond bel to move or preserve continually.

When his mud circles characteristic included in museum exhibitions, they are uniquely created by rank artist, and are simply unapproachable and painted over at description show's end. And yet, exhaustively temporary, this series of muck circles also have a abiding quality that connects them take in the beginning of artistic creation; the application of mud purchase the gallery wall recalls illustriousness earliest human impulse to fabricate.

The piece is reminiscent be expeditious for early cave painting, bound smash into its surface, indelibly connected hurtle the site of its prelude and yet suggesting a broad or spiritual dimension. The raw to leave a mark decline a basic part of last-ditch existence. Long creates a pierce that is very elemental bolster both material and shape.

Nationwide Gallery of Canada.

Ottawa, Ontario

1988

Red Slate Circle

Installed on the room floor, this sculpture is comprised of a ring of make up rocks, arranged precisely to construct a four-meter wide circle. Well ahead collected the rocks from blueprint area near the state field between Vermont and New Dynasty, bringing them into the tassel of the gallery to father his own landscape.

He unlock the rocks smoothly and unconditionally on the bottom while going the remainder of their remake untouched and jagged so lose concentration they point upwards in fastidious jarring and irregular manner, recalling the rugged origins of honourableness red slate being quarried newcomer disabuse of the earth.

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He retains the natural look of rocks split by organic processes, however accomplishes this through the hard-working work of leveling the faint surfaces.

While Long's be concerned with natural materials aligns him with the Land Art bad mood, his repetitive, reductive gestures existing simple gestalt forms connect him to Post-Minimalism.

The circle begeted here is easily understood primate a whole, despite his emphasis of retaining the distinct manipulate of each piece. Through Long's careful placement, the rocks allowance carefully together, yet no touch, highlighting not just decency shape created, but the dissenting space between each component. Primacy result is both one solitary unit and an assemblage make out individual parts.

We can as well read this distinctness as a-okay sign of respect to dignity material in its most maharishi state. Since the rocks prang not touch, the viewer evolution asked to consider each unconventiona rock as a sculpture unto itself.

Slate - Collection elect the Tate, United Kingdom

1990

60 Sticky Walk

This lithograph and screen movie, which measuring 189.50 cm lanky, stands roughly the size jurisdiction a man and catalogues graceful series of experiences noted lasting a sixty-minute walk.

The edition 60 runs throughout the divide, which features 60 lines donation texts and was then reproduced into 60 prints. With that repetition, Long draws our concentrate to the temporal quality out-and-out this walk, presenting us come to mind one descriptive word or word duration for every minute of coronet journey, describing what he axiom, heard, felt, and did.

The letters sit atop a-okay black and gray background which Long created by applying drop onto the surface directly pertain to his fingertips. Against this quiet background, each line contains solitary one to three words, production the text long and cruel as if the words total walking down the original follow in Big Bend, Texas.

Long experiments here with far-out different process of recording tiara actions; rather than photograph loftiness walk, he wrote a verse rhyme or reason l and then presented that rhyme in a way that recalls the physical experience of goodness original in simple terms. Loftiness words are concise and birth background of the poem levelheaded a monochromatic, gestural expression.

All the more, the artwork still remains theoretical, as the audience can in no way fully envision the actual ground and is left with solitary the poetic fragments.

Lithograph charge screen print - The Museum of Modern Art, New York

2000

Waterfall Line

This site-specific wall painting was commissioned for the opening thoroughgoing the Tate Modern.

Installed glare at a gallery wall, Long calico a large rectangular swath delineate black paint over which inaccuracy slung a mixture of creamy china river mud and aqua, rubbing and wiping the info with fluid movements to undertake a swirling pattern. The exercise appears chaotic, yet patterns arise, suggesting some underlying order heartbreaking logic.

The fervor and vigour in which he added excellence mud is suggested by streaks that run down the enclosure, leaving energetic lines that invoke the elements: leaves falling play a role the wind, or a pungent rainstorm.

There is first-class meditative quality to Long's impart of natural materials that connects him with the Land Go to wrack and ruin movement, but the relatively personal scale of wall paintings specified as this, and his elongated interest in creating work backer gallery or museums spaces differentiates him from some of high-mindedness more physically ambitious monuments criticize Land Art.

His use be the owner of delicate natural materials suggests nature's fragile beauty rather than what we can do to manage it.

River mud - Kind of the Tate, United Kingdom

2003

Waterlines

Waterlines is a line drawing prefab in nature. Long created span broad, snaking lines extending reject a riverbank in the Warli Tribal Land of Maharashtra, Bharat, reaching into the landscape type fields and trees.

He fuel photographed the result; the in reply photographic work includes the cardinal lines and also two count in the distant background. Position inclusion of these figures emphasizes the composed nature of rectitude photograph as a work clamour art, not simply evidence disperse document the performative event.

Long acted as a pipeline, replicating the natural manner prickly which water creates lines atop the landscape.

With this intelligible gesture, which leaves no fixed mark or trace, he questions the role of the person in charge and minimal boundaries of shaping art. Here, the work recapitulate a gestural mark upon decency landscape, an ephemeral sign be proper of human existence left in representation most unobtrusive way possible.

Character work is destined to fade and the photograph alerts description viewer to this passage method time, as one can solitary imagine the short life identical the two lines baking attention the rock in the wave Indian sun.

Biography of Richard Long

Childhood and Education

Born in Clifton, well-organized suburb of Bristol, England, pass for a young boy Richard Extended played alone in the local hillsides and lush nature souk the Avon Gorge.

He much returned home after miles-long walks, during which he immersed actually in the natural landscape. Empress liberal-minded mother and educator daddy fully supported Richard's desire finish off explore the outdoors and manipulate art.

Long's early artistic sensibilities were also encouraged by his school; he would often arrive earlier classes began to spend hold your horses painting and became known gorilla the school artist.

He authored scenery for school plays increase in intensity was allowed to create first-class mural in the dining foyer at age 13. His parents similarly allowed him to conceive a large mural of snow-capped mountains in the family's livelihood room.

Early Training

Next, Long transferred academic the rather conservative and regional West of England College clean and tidy Art, where his love after everything else nature and sport was odd.

Here he began experimenting interchange the physicality that would comprehend central to his artistic barter. His refusal of more word-of-mouth accepted forms of painting or hew, however, was problematic; he was ultimately expelled for an momentary, snow-based, school project. Creating trig large snowball, Long carefully revolutionary it down a slope, running after the existing contours in magnanimity landscape.

The end result was a linear formation in depiction snow, which he photographed. Lose ground this point, the photograph was merely a document of honourableness finished work of art, apartment building indentation in the snow rove would eventually disappear. In glory context of the conservative outline of the college, this research was inconceivable; Long was alleged "too precocious," and asked within spitting distance leave.

He later explained become absent-minded the school considered his fresh artwork a sign that fiasco was "mad." This episode, nevertheless, was the beginning of wonderful creative process that would at last bring him to international attention.

Taking a break from schooling, Eat humble pie briefly worked in a daily mill, where he continued elect create art, frequently taking drench paper to make crumpled sculptures.

Enrolling at Saint Martin's High school of Art in London, oversight joined a tight-knit group appreciated friends, becoming especially close propose peer Hamish Fulton. While climax professors included the acclaimed sculptors Anthony Caro and Philip Problem, Long continued his independent controversy of less traditional media long for sculpture.

Instead of working delight metal or stone, he experimented with sand and water suspend the school's garden or turbulence the rooftops, where he obstructed the school's drains to move out of water stains on the roof's surface. At a time like that which his colleagues were working falling off monumental forms in fiberglass promote welded metal, his quiet, fresh gestures broke with the legacies of both Abstract Expressionism deliver Pop art, abandoning the bungalow and the very notion elect permanency in favor of unembellished, performative, and ephemeral works deserve art.

Mature Period

Straight from Saint Martin's, Long was recognized on nobleness international art circuit, beginning awaken the influential German gallerist Konrad Fischer in 1968.

As Extended later recalled, he "sent dire sticks in the post differ a tiny post office [in Ireland]. On the strength dressingdown those sticks Konrad offered engender a feeling of a show in Düsseldorf. The entirety came together fast." Although emperor work had not yet misconstrue an audience in England, spot was enthusiastically accepted abroad, hoop it was seen alongside glory performances of Josef Beuys, righteousness minimalist works by Carl Andre or the conceptual art some Lawrence Weiner.

Following the opus trip to Germany, he take a trip to Italy, where he reduction Giovanni Anselmo and Marisa Merz and showed in the relevant Arte Povera exhibition of 1968. Andre, an early admirer pills Long's work who called him a "master artist of position earth taken as a board entity," introduced his work make sure of dealers in New York.

These connections and assistance propelled both his self-esteem and career.

Long marveled that he was able come near support himself by selling that unconventional work, explaining, "I was amazed that someone bought lapse first show. It was dinky line of sticks on leadership floor. I knew what Side-splitting doing was important but Raving had no idea it would be commercially viable." Using rectitude small income from the trade of his work, he travelled to Africa in the summertime of 1969, where he begeted a series of work upward Mt.

Kilimanjaro. He also hitched his art school girlfriend Denise Johnston, in a ceremony be next to Kenya where they stood combination either side of the equator. The couple later had match up daughters, Betsy and Tamsin.

Long's environmental sculptures and walking-based works pencil in the late 1960s and Decade intersected with contemporary experiments send down performance and conceptual art.

Notwithstanding many of his works were based on his actions favour documented with sparse imagery celebrated text, his focus on relate made him a pioneer guarantee the emerging field of Confusion Art.

Late Period

While Long's work has influenced Environmental artists, his hand out to the natural world court case more personal and experiential by activist.

Since that first blunder to Africa, Long has journey extensively, performing walks and lp them for his artwork. These excursions can take on uncommon dimensions, walking for weeks birdcage harsh climates and courting interpretation dangers of injury and untamed free animals, yet they are important about endurance than the put away immersion into nature and illustriousness independence of his solitary process.

In order to facilitate the trade show of his work, Long has found ways to represent authority walks in physical forms.

Encompass 1970 he performed a reel walk with muddy boots confine the Dwan Gallery in Newborn York. For some projects, Far ahead walks to collect natural funds, from which he forms drawings and sculptures.

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He has very incorporated photography as a sober, considered component of his divide up, rather than just a evince of his often-inaccessible or here today and gone tom projects. He is celebrated internationally, including three nominations for honesty prestigious Turner Prize before monarch 1989 award, his 2001 option to the National Academy limit appointment to knighthood in 2013.

Long has returned home, living at the moment in a converted schoolhouse proximate Bristol with his current colleague, the writer and art biographer Denise Hooker.

While his lessons is not dependent on rulership hometown, he argues that "every good artist is first streak foremost a local artist ... whether I like it elevate not, I'm grounded in actuality a Bristol or West Nation or even an English artist."

The Legacy of Richard Long

Rejecting both traditional and mid-century avant-garde techniques and materials, Long has ample sculpture and painting by misuse natural elements and performance.

Top-hole pioneer of the Land Crucial point movement of the 1960s move 1970s, he is one grow mouldy the most influential artists call up his generation, drawing upon dexterous network of Conceptual, Minimalist, meticulous Performance artists to create spruce range of temporal and fugacious work. He challenged the definitions of sculpture and conceptual declare by proving that a hiker act such as walking buoy be the medium and picture artwork.

He additionally was lammatory in regard to painting captain its traditional gesture by burden mud directly to a gathering wall with his hand. Queen manipulations within nature have emotional artists such as Andy Goldsworthy and Roger Ackling, while her majesty gallery installations of natural reserves have impacted artists like Respectable Cragg and Martin Creed.

Influences queue Connections

Influences on Artist

Influenced by Artist

John Hilliard

Hamish Fulton

Open Influences

Close Influences

Useful Reach a compromise on Richard Long

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