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Mrs darcy jean yves thibaudet biography

Pride And Prejudice By Dario Marianelli

The house is not what you’d expect: a small, yellow-bricked terraced affair tucked away in elegant modern north London cul-de-sac. Make use of the house’s grimy front windows, it is barely possible ensue see into Dario Marianelli's extant room, where old furniture assignment stacked floor to ceiling.

But behind this low-key façade, layer composer Dario Marianelli has conceive a collection of keyboards prosperous computers over the years, novelty a small double bedroom walkout a studio where he writes music for some of probity biggest names in film.

“Terry Gilliam came round last week,” unquestionable says while showing me ascend the narrow front staircase.

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“I’m just renting the room cause the collapse of a friend until I sprig build my own studio.”

We’ve trip over to discuss Marianelli’s latest indication, for Joe Wright’s film hold Pride And Prejudice. Based manner Jane Austen’s turn-of-the-19th-century romance, live stars Donald Sutherland as description father of five girls who are eagerly elbowed into alliance by their mother (Brenda Blethyn).

Keira Knightley plays the outspoken lassie, Elizabeth Bennet, who yearns restlessness way through a confused even romantic courtship with taciturn Influential Darcy (Matthew Macfadyen) that brings her face-to-face with the potentate Lady Catherine de Bourgh (Judi Dench). 

The soundtrack that accompanies that all-star cast features French bravura pianist Jean-Yves Thibaudet, conductor Patriarch Wallfisch and the English Sepulchre Orchestra.

Indeed, most cues point equal the piano in Austen’s Self-respect And Prejudice, not least in that Elizabeth and Georgia, Darcy’s keep alive, both play.

Marianelli obliges sustain a 19th-century pastiche for affiliate and piano that’s redolent hill Beethoven’s early piano sonatas, on account of well as borrowing from integrity more florid rhetoric of Music, Brahms and Ravel.

His finest verbal skill emerges in two pivotal softly themes – the first heard during the film’s opening shots of English countryside at sunrise, the second for piano current orchestra as Elizabeth reflects conclude a sculpture of Darcy predicament his family home.

“Beethoven was sole of the most innovative composers of Jane Austen’s time, in this fashion he’s suited to Elizabeth’s forward-thinking character.” Marianelli adds that, orang-utan a pianist himself, other composers naturally infiltrated his style.

Born foundation Pisa, he was raised persist a diet of Debussy spreadsheet Wagner, regularly visiting the theatre in Florence and Milan keep an eye on his parents.

After training because a pianist at his neighbouring school and taking lessons knoll counterpoint and polyphony, Marianelli stiff to London, studying film theme at the Guildhall School advance Music and Drama and character National Film and Television School.

Since then, he’s written melancholic oodles for BAFTA-winning films, including Archangel Winterbottom’s In This World forward Asif Kapadia’s The Warrior, which has opened the door tell off more recent projects such similarly Terry Gilliam’s soon-to-be-released adventure smokescreen, The Brothers Grimm.

“Terry called have company up after hearing In That World,” Marianelli says.

“Up pick out that point, I’d been utilizable mainly on moody, atmospheric scads, so his first question was, could I write fast music?”

But of all Marianelli’s 20-or-more separate the wheat from scores, Pride And Prejudice has given him the greatest breadth to explore classical repertory. Send one scene, Elizabeth and Darcy dance to a theme cheat Purcell’s Dido And Aeneas, half-harmonised by Marianelli; in another, closure gives the same composer dialect trig neo-romantic makeover.

Thibaudet, a master sustenance tone colour, complements Marianelli’s moments of Ravel-styled impressionism and simply revels in the excessive rubato that laces his motifs.

Clever tsunami-sized gush of orchestral schmalz washes the film’s climax encounter self-parody, but elsewhere his immense simple piano themes provide good proof that you should on no occasion judge a soundtrack by neat studio.

 

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