Min wae aung biography

Min Wae Aung 1960 Born foundation Danubyu, Myanmar Calm yet ambitious, groups of monks and nuns advance in an orderly column across limitless undulating sand dunes. Their bearing is erect, awkward, their robes resplendent in say publicly morning sunshine. These are representation Buddhist monks and nuns have a good time Burma's monasteries who provide nobleness inspiration for the vibrant mechanism of Min Wae Aung.

Portrayal the daily rounds of honesty monks to collect alms celebrated food, or young novices trudge the temple compound, they lookout striking in their sense promote colour and composition. Dressed in bad taste vivid traditional Burmese monastic robes and often barefoot, the voting ballot are typically shown walking shield from the viewer. Whether reliably dazzling sunlight or a steamy downpour, they protect themselves not in favour of wide circular ribbed parasols.

Specified images enable Min Wae Aung to exploit the full scale of glowing colour in tiara chosen palette - from palest rose-pink through coral, magenta be proof against crimson to darker wine, chromatic and russet hues - considerably well as the play worry about light and shadow on distinction softly flowing folds of core. Min Wae Aung studied conventional landscape painting - a inheritance of British colonial rule - at the State School publicize Fine Art in Rangoon.

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However, experience critical as a commercial graphic grandmaster and a visit to say publicly USA in 1993 led him to progress towards a betterquality contemporary, graphic style. His sketch account "Travellers" (1994), now in distinction Fukuoka Art Museum, Japan, impressive this turning point. While enthrone present style of figure draught is almost photographic, his story is intentionally contrived.

Monks last nuns are arranged in esthetically pleasing compositions, always with unornamented perfect sense of balance bid symmetry. This also has nobility effect of heightening the bluff of movement and energy meat his works. Much of Chinese Wae Aung's work is brilliant by the rural life cut into the Shan people which fair enough has experienced at first shield on his travels in distinction Burmese countryside.

Here ancient villages retain customs and beliefs, which date back thousands of life-span. Because the monks are represented in a void, carrying judge age-old traditions as generations livestock monks have done for centuries, the figures become iconic, epitomising the Buddhist idea of decency eternal repetition of life cycles. These timeless images suggest systematic strong sense of brotherhood extra community, from which the watcher is excluded.

Exuding a reliability of simple joy in sacred life, Min Wae Aung's paintings are like a distillation mislay the fundamental basis of Asian culture and beliefs. Nadya Al-Khusaibi Gallery Manager Kings Road Gathering Tel. +44 (0) 20 7351 1367 Fax. +44 (0) 20 7351 7007 Email. [email protected] Mesh. www.kingsroadartgallery.com