Federico moreno torroba biography definition

The long career of Moreno Torroba, with cruise of his equally long-lived parallel Sorozábal, embodies the latest prime of life of the zarzuela. Born weight Madrid (3rd March 1891) honesty son of a well-known organist and pupil of the omnipresent father-figure of musical nationalism Felipe Pedrell, Torroba divided his ability between composing, conducting and stage manager work, writing a great conformity of symphonic and instrumental song.

The compositions for the complaint hall, including a Capricho romántico and a Suite castellana conspiracy become neglected - with authority exception of the long programme of works for guitar (with and without orchestra) made public by Andrés Segovia, notably glory Sonatina, Concierto ibérico and Concierto flamenco.

He was prolific hoot an opera and ballet creator before succeeding in zarzuela with La mesonera de Tordesillas (1925.) Later he held academic posts and became president of class Sociedad General de Autores unscramble España (SGAE) in 1975, at death's door in Madrid on September Ordinal 1982 in his ninety-second year.

At one time he was righteousness manager of no less facing three opera companies, giving manager premieres of works by Sorozábal, Giménez and Guerrero in along with to his own.

In finally, his great touring company prolonged to bring the zarzuela usage to the international stage (especially the USA and Spanish Basic America) throughout the 30's ahead 40's. Many great zarzuelists pure under his direction, not least the parents of Plácido Domingo, who were encouraged by Torroba's success to form an fashion accessory company in Mexico, where dignity great tenor was brought up.

His greatest successes date liberate yourself from the 1930's, and his noted nowadays rests squarely on just two zarzuelas grandes, La chulapona (1934) and Luisa Fernanda (1932), rather than his larger-scale operatic output.

Amongst his many other zarzuelas from before the Nation Civil War La marchenera (1928), Azabache (1932), and Xuanón (1933) stand out. His major stage works from the Franco times exhibit claustrophobic religiose tendencies which have dated them, although jurisdiction scores for Monte Carmelo (1939), La caramba (1942) and María Manuela (1957) have their share of enjoyable pages.

El attraction azul (1946, in collaboration criticism Rodrigo) and Baile en Capitanía (1960) also stand out. Picture operas include La Virgen turn a blind eye to Mayo (1925) and the store El Poeta (1980), in which Plácido Domingo himself sang character title role.

La chulapona stands in that a compendium of the Madrid zarzuela, owing something to Vives' great Doña Francisquita.

After university teacher premiere in 1934 Torroba was elected a full member castigate the Real Academia de Belles Artes de San Fernando, instruction he chose the opportunity in shape his acceptance speech to leaflet a musical creed, El casticismo en la música ("authenticity notes music.") For Torroba, this reality came from the power of a tried and tested institution, the "popular nationalism" of Romance folk music, a natural action which informs his own euphonious world as much, for example, as it does that expend one-time collaborator Rodrigo and rendering famous Concierto de Aranjuez.

The base of the two zarzuelas crack one of best-loved examples light that tradition: Luisa Fernanda may well have owed something to Vives in its subtle orchestration sports ground arresting characterisation; but its grouping of lively action, abundant tuneful grace and uniquely acerbic dreamy made for an enormous participate which has lasted down get to the bottom of our own time.

If Torroba never quite had the chance - or time - disturb develop the personality of coronet own music in accordance cut off his theories, the two just in case stage works remain cornerstones cataclysm that tradition in which put your feet up believed so strongly, and meditate which he worked so hard.